Media and Performance

Say It Like You Mean it is a video made for Sam Lavigne’s “Infinite Video” class at the School for Poetic Computation. Using Python, I scraped hundreds of ASMR videos from Youtube and wrote a program that extracts and combines instances of the artists saying “I,” “love,” and “you,” in order to explore themes of semantic satiation, auditory pareidolia, desperation, and parasocial relationships.

Using the Situationist International’s concept of the dérive, an unplanned journey through a landscape with the goal of creating Situations, I explore the importance of quotidian images via web-scraping in my IMG_[4 digits] project. By scraping Flickr for images from different users, all titled with the same default file name, one can encounter images that would not otherwise come to the surface on an internet that’s guided by algorithms that direct users to encounter more of the same. What was once an open terrain for exploration has become a commodity-driven landscape where browser’s identities are captured via data mining, and their subjectivities sold back to themselves in the form of predictive advertising. The images found using this searching practice are Poor Images (Hito Steyerl), and as such “show the rare, the obvious, and the unbelievable” (Steyerl, 2009).

At the Dataset Farmers Market hosted at LARPA in December 2024, I sold USB sticks filled with 1,000 images, each individual drive holding photos with the same default file name. Buyers would choose a random number from my stock, and receive 1,000 surprising encounters to be explored at their leisure.

I have contributed two datasets to the Weird Algorithm (robot karaoke) project. “Non-dialogic movie subtitles” are all the words contained in square brackets and parentheses from several dozen .srt files from classic movies, isolating all subtitles that describe non-dialogue sound effects. “Erowid trip reports” are the titles from every trip report on Erowid, a site where people can document their experiences trying psychadelics. Both of these can be performed to the tune of any song in the Weird Algorithm library at their public events.

Gene Machine is a wearable sculpture that integrated RFID transceivers with software written with MAX MSP, via Arduino, enabling touch-free sound synthesis. Later variations utilized an EMG sensor that modulated sounds according to live muscle signals. I performed with it at various venues around New England from 2019-20.

Horse Dance (Parade) is a collaborative performance with Juma, performed at Erik Satie’s 157th birthday party in Worcester, MA. Inspired by Cocteau, Satie, and Massine’s ballet Parade, we collaboratively choreographed a playful routine set to a sound collage Juma made of several motif’s from Satie’s oeuvre. Mask papier-mached by myself.

Air Booster was a post-structuralist pop music project in Summer 2019 with Caleb Chase. These are our demos.